Ava Harper
Article
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Ava Harper
Article
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Alright. So after almost two years, Dead City is back — and right away, you can tell this season is going to be darker, messier, and way more about control than survival. The walkers are still out there, sure, but it’s the people who are more dangerous now — especially the ones who want to rebuild something from the ruins. The question is, at what cost?
We start off in a place that should feel safe — The Bricks — but you can tell something’s off. Maggie’s trying to reconnect with Hershel after everything they went through last season, but he’s distant. And there’s this moment with his foot — he looks at it, and the pain just hits you. That wound from the Dama isn’t healing, not really. Maggie tries to tell stories, bring up memories from when he was little, but it’s like there’s this wall between them now. The kind of wall trauma builds, brick by brick.
Meanwhile, Ginny is still with them. Quiet. Watching everything. That girl carries a lot for someone her age.
Just as Maggie’s trying to hold things together, the world barges back in. Big military trucks. Soldiers. New Babylon’s here, and they’re not asking — they’re drafting. Perlie’s with them, which is wild considering where we last saw him, but he’s wearing a new rank now and clearly trying to make up for past sins.
There’s this awful moment where a guy who doesn’t want to serve gets dragged out and executed. Publicly. Just to make a point. It’s brutal, and Maggie’s face says everything — she knows exactly what kind of regime this is.
Perlie tries to talk to her, saying they need her back in Manhattan. She knows the place. She knows how to handle the Croat. But Maggie’s not interested in being anyone’s pawn — not unless she can protect her people. So she makes a deal: she’ll go, but no one from her community gets forced into this mess.
There’s something so classic Maggie about that. Always willing to walk into hell if it means someone else doesn’t have to.
Negan’s locked up, and things have taken a twisted turn. The Croat has him behind bars, barely feeding him, basically waiting for him to break. But when Negan doesn’t play along, the Dama makes her move: she’s taken his wife and son. That changes everything.
You can see it on his face — this isn’t just about him anymore. They’ve found his soft spot.
The Dama gives him a mission — unite the warlords of Manhattan — and to help, she hands him a new Lucille. Not just barbed wire this time… this thing electrocutes.
Back with Maggie, she gets tested — literally. They throw her and Ginny into this pit with walkers and tell her to survive if she wants to lead. Ginny jumps in too, even though Maggie tells her not to. It’s messy, raw, and really hard to watch at times — but they make it out alive.
Ginny has a moment later where she looks Maggie in the eye and says, “You’re not my mother” It’s so cold, but you get it. Everyone’s holding pain differently.
Negan meets with the other warlords, and just when it looks like someone’s going to call his bluff, he pulls out Lucille 2.0 and fries a guy to the ground. No hesitation. That scene was straight-up chilling. This isn’t the same Negan we met all those seasons ago — but he still knows how to make a point.
There’s this one quiet scene near the end that hit me more than anything. Hershel hands a drawing to one of the New Babylon people. It’s a picture of New York. Not hopeful. Not rebuilt. Just ruined. You realize in that moment: he’s not okay. What happened to him in that city changed him, and it’s still there, just under the surface.
Okay — so here’s the thing. The episode looked great, the pacing was tight, and the tension’s definitely there. But emotionally? It didn’t hit as hard as I expected. You can feel they’re building toward something deeper — Maggie’s guilt, Negan’s trauma, Hershel’s resentment — it’s all there, but still under the surface. I just wish they pushed it a bit more. Let it breathe. Let us feel it.
And yeah, that final shot of Maggie heading back into the city? Chilling — but also a little predictable. Still, it works. This season might not explode right away, but it’s definitely lighting a slow, angry fuse.
Ava Harper is a sci-fi writer and enthusiast, passionate about exploring futuristic worlds and human innovation. When she's not writing, she’s immersed in classic sci-fi films and novels, always seeking the next great adventure in the cosmos.