Ava Harper
Article
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Ava Harper
Article
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Ever since Jurassic Park roared into theaters in 1993, the franchise has remained one of the most beloved (and debated) film sagas in cinema history. Now, more than three decades later, Jurassic World Rebirth is set to take audiences back into the world of dinosaurs. But will this new installment truly breathe fresh life into the series, or are we in for yet another round of recycled ideas and roaring nostalgia?
Unlike previous Jurassic World films, Rebirth is being positioned as a soft reboot rather than a direct continuation. Written by David Koepp (who penned the original Jurassic Park screenplay) and directed by Gareth Edwards (Rogue One, Godzilla), the movie is set five years after Jurassic World Dominion but introduces a completely new cast and storyline.
Scarlett Johansson leads the film as Zora Bennett, a skilled operative tasked with infiltrating a mysterious island that has become the last known sanctuary for dinosaurs. Alongside her, Mahershala Ali plays Duncan Kincaid, a specialist brought in to lead the expedition, while Jonathan Bailey and Rupert Friend round out the cast as a paleontologist and a pharmaceutical rep, respectively.
The mission? To retrieve dinosaur DNA for medical advancements. But as expected, things don’t go according to plan.
If you’ve been following the Jurassic saga, you might be wondering: another hidden island? Haven’t we seen this before? And the answer is… yes and no.
The idea of a secret research facility abandoned for decades is nothing new in this franchise. Rebirth takes us to an island where genetic experiments were once conducted in secrecy—until those efforts were shut down, leaving the dinosaurs to evolve on their own. The result? A new generation of creatures, some of which were never meant to exist.
This introduces an intriguing twist: unlike previous films where humans were trying to control dinosaurs for profit or entertainment, this time the mission is more “noble”—at least on the surface. The promise of revolutionary medical breakthroughs could justify the expedition, but as Jurassic fans know all too well, scientific ambition often comes with unintended consequences.
One of the biggest criticisms of the Jurassic World trilogy was its tendency to recycle the same core conflicts. We’ve seen dinosaurs escape. We’ve seen them wreak havoc. We’ve seen humans try to weaponize them. The challenge for Rebirth is whether it can break free from that cycle.
What gives me hope is the return of David Koepp. His involvement suggests a possible return to the franchise’s roots—where the thrill wasn’t just about dinosaur chases but the ethical dilemmas of playing god. Plus, Gareth Edwards’ expertise in creating tension-heavy blockbusters (Rogue One had some of the best sci-fi suspense in recent memory) could bring a more grounded, intense atmosphere.
As expected, reactions to Jurassic World Rebirth have been split. The first trailer, which teases shadowy jungle encounters and massive dinosaur mutations, has drawn mixed responses. Some fans are excited about the return to a more isolated, survival-focused setting. Others worry that we’re once again being served a reheated version of past Jurassic movies.
Then there’s the debate over the new dinosaur designs. The trailer hints at genetically altered creatures that stray further from real-world paleontology than ever before. While creative freedom is fine, some fans feel the series is losing its original charm—where dinosaurs felt like living, breathing animals rather than movie monsters.
The Jurassic franchise is at a crossroads. Rebirth has the opportunity to redefine the series, moving away from over-the-top spectacle and back toward the wonder and terror that made Jurassic Park a masterpiece. If it can strike the right balance between nostalgia and innovation, it could be the beginning of a new era.
Or, it could be another beautiful disaster.
Either way, I’ll be there on opening night. Will you?
Ava Harper is a sci-fi writer and enthusiast, passionate about exploring futuristic worlds and human innovation. When she's not writing, she’s immersed in classic sci-fi films and novels, always seeking the next great adventure in the cosmos.